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ONE MILLIONth TOWER: LIVE

One Millionth Tower has gone live — and not just on the web. Here’s some pix from recent live appearances:

LIVE AT THE GLADSTONE HOTEL
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Last week, we celebrated our new web-documentary One Millionth Tower (1MT) live at the historic Gladstone Hotel Ballroom in downtown Toronto. The highlight of the show was a saxophone performance by Jamal, one of the 1MT residents (check out the above bootleg youtube recording by Prof. Roger Keil!) Over 150 Torontonians were in attendance.

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The event was hosted by our incredible Senior Producer, Gerry Flahive, who brought 12 people to the stage, each in their own way, highlighting the collaborative nature of the project.

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Ob represented the residents on our panel, and he spoke out about the need for resident involvement in changing the landscape of our highrise environments across Toronto.

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Graeme Stewart of ERA architects took on tough questions about the mechanics and philosophy of Tower Renewal. How can it really happen? What are the real costs? Who needs to be involved?

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Elise Hug of the City of Toronto’s Tower Renewal program, spoke about need for cross-disciplinary collaboration, and how to bring many stakeholders together. She was followed by Jamie Robinson, of United Way, who gave context with the remarkable Vertical Poverty study, and the United Way’s hopes for making the Kipling buildings a demonstration site for what’s possible. Matt Thompson, Chief Storyteller at Mozilla Foundation, rounded out the panel with a great talk about the role open technology can play in city-building. Before the screening, Roger Keil talked about the highrise in the context of “the world” by introdicuing the fabulous Global Suburbanisms project he is spearheading at York University (and with whom we are partnered), while Michael McLelland of ERA Architects gave a great nutshell introduction to the legacy of apartment towers in the city of Toronto. Russell Mitchell of ANC/United Way talked about Rexdale, the neighbourhood in which we are working. Mike Robbins of Helios Design Lab also took to the stage to explain why we used open source to build 1MT.

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Somewhere in the packed house was Marcus Gee, columnist for The Globe and Mail, who then filed this great story about our project and vertical Toronto.

LIVE AT THE REAL HIGHRISE
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A week before the Gladstone, Ob, Faith, Donna and Jamal showed 1MT live to their neighbours in a moving presentation — in the very meeting room in which the project was created.

LIVE ON THE RADIO
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Jamal and Donna also hit the CBC Metro Morning airwaves live in Matt Galloway’s 3-part series dedicated to One Millionth Tower. Metro Morning is the number one morning show in Toronto.

LIVE IN AMSTERDAM
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Meanwhile, One Millionth Tower was showcased *live* in Amsterdam for the largest documentary festival in the world, IDFA, as part of the fantastic DocLab lounge. (HIGHRISE won the inaugural DocLab award there for Out My Window last year. This year the honour went to the artful web-documentary In Situ, a lyrical french project from ARTE, which is not unrelated to urban themes in HIGHRISE).

LIVE AT MOZFEST
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This is me, Kat Cizek, chuffed to be launching 1MT live at the awesome Mozilla Festival in London U.K. in front of a crowd of 4-500 brilliantly talented hackers and journalists who had gathered for the Media, Freedom and the Web Festival.

LIVE ON WEB TV
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And finally, streaming on live web-tv during an interview about 1MT at Mozfest, I had an unexpected visit from the Foxy Mozilla Fox Mascot, the true rockstar of the Mozilla Festival. Never know what can happen when you’re *live.*

Video courtesy Roger Keil, photos from the Gladstone by Marcus Matyas for the NFB, Kipling Launch and CBC Radio by Kat Cizek for the NFB, and Mozilla Festival by Sarah Arruda, for the NFB.

UPCOMING WORLD PREMIERE

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It’s a week away: our international launch of One Millionth Tower (1MT), a documentary about the HIGHRISE re-imagined.

The live events are happening in London U.K. in partnership with the phenomenal MOZILLA FESTIVAL, as this year they bring their attention to the theme of “Media, Freedom and the Web”.  And on-line too, next week, we have a truly exciting international launch that we’ll be sharing with you soon.

One Millionth Tower (watch trailer here) teams a group of highrise residents in Toronto with architects and animators to re-imagine their surroundings and transform their dilapidated highrise neighbourhood into a vibrant, resident-led community. Using cutting-edge open-source technology, this interactive documentary enables a 3D storytelling environment within a web browser, incorporating the magic of cinema, architecture and animation. A hyper-local story with a global resonance in its vision for a more human-friendly urban planet – and world wide web.

So here are the events:

Mozilla Festival Nov 4-6, 2011 – We will unveil the documentary during the KEYNOTE on Saturday Nov 5, and we’ll participate in numerous Mozillific events including Fireside chats, master classes on The Connected Documentary, as the open-source cinema guru, Brett Gaylor launches Mozilla Popcorn 1.0.

On MONDAY, NOVEMBER 7, 2011, we’ll be doing a special Central London screening at the Frontline Club, presented by Mozilla and our dear friends at POWER TO THE PIXEL. I’ll be joined on stage by Brett, as well as Liz Rosenthal of PttP. If you are interested in attending, send an email to highrise@nfb.ca, seating is very limited.

Over in Amsterdam, in mid-november, One Millionth Tower is also in competition in the digital arm of the world’s largest Documentary Festival,  IDFA DocLab, where we took home the Inaugural Award for Digital Storytelling Award last year for our interactive documentary Out My Window.

Toronto launch plans for One Millionth Tower are in the works for early-December. Watch this space for more details!

OMW wins IDFA DocLab AWARD

What a way to cap off two incredible weeks in Amsterdam. We’ve come home with the first ever IDFA DocLab Award for Digital Storytelling for HIGHRISE/Out MY Window.

At the award ceremony in the stunning Tuschinski Theatre of downtown Amsterdam, the president of the jury, Alexandre Brachet reported: ‘“The project draws its strength when viewed in depth and at length. The meetings in dozens of countries, from Bangalore and Beirut to Toronto, Canada are all beautiful and the design of the piece resonates with the stories. Photos, video, audio and interactivity all work in seamless harmony towards telling the stories in a compelling way.” The other two jury members were Zach Wise and Antoinette Hoes.

The DocLab competition category rocked with 17 amazing projects: from non-linear guru Florian Thalhofer’s Planet Galata: A Bridge in Istanbul, to 3 very fine NFB/interactive projects (Testtube, This Land, Welcome to Pine Point), to the Arcade Fire runaway hit The Wilderness Downtown, to the university student project in the Appalachians, Soul of Athens, and of course the two fantastic nominees: the visually lush California is a Place, and the totally DIY  Soul Patron (shot, edited and programmed by the author as part of his masters in applied science).

Variety, IndieWire, DocSpace, MovieCityNews Filmmaker Magazine all covered the full IDFA awards.

I spent much of my time in Amsterdam at the lovely Brakke Grond, where we have our installation of Out My Window until January 9th, but I did get into the IDFA movie house a few times to see some great films, mostly revolving around the politics/technology theme. I caught most of the big double IDFA award winner (dutch category and feature-length) Position Among the Stars, which has an opening shot that rivals that of Manufactured Landscapes in beauty. It’s the third instalment in a (decade-long-in-the-making) trilogy of family life in Indonesia by Leonard Rete Helmrich, a cinematographer/director who built steadycam contraptions with low-tech solutions (bamboo etc) to create a technique he calls “Single Shot Cinema.” He often uses long, uninterrupted shots, with the camera moving freely around, surprising us with unusual points of view and sudden glances sideways, sometimes even to follow a fleeing cockroach in extreme close-up. The camera as a living, curious and very much involved entity.

Continuing the politics/tech theme, I also saw the Danish Blood in the Mobile, which investigates how Nokia and other electronics companies are fuelling a deadly war in the Congo (by purchasing coltan and other minerals needed for cell phones and electronics from killer warlords). It’s a subject that has been on the media radar for the last decade (Peter Wintonick and I pointed to it back in 2003 in our web-companion to Seeing is Believing: handicams, huamn rights and the news) and yet the multi-nationals continue to rake in huge profits, and to dodge justice as millions of people in Congo continue to die. The film wisely suggests that there’s a solution: to demand more transparent supply chains (see here). For a more uplifting portrayal of the Congo, I went to the heart-warming Kinshasa Symphony, which came in fourth for the IDFA Audience award. (The award went to the oscar-short-listed Waste Land, also about repurposing recycled materials from a garbage dump to create participatory art. I caught Waste Land at Hot Docs last year, it’s a must-see).

I was happy to see a the “talk-show” live interview with fellow Canadians Luc Coté, Patricio Henrique about their urgent film You Don’t Like the Truth: Four Days Inside Guantanamo. They talked about the struggle they had to finance their film, based on  7 hours of surveillance footage (shot on VHS) of the interrogation of Canadian Omar Khadr held at Guantanamo, for alleged war crimes he committed when he was 15 years old. No financiers would touch the film when they were making it, yet its now playing a huge role in pointing a spotlight on how the Canadian government has betrayed its own citizen, to the hands of torturers and sadists. The timing of the release of the film is spot-on. In October 2010, Omar Khadr had just plead guilty to all charges, part of a plea bargain that would get him an eight-year sentence instead of life in prison. This makes him the first person to be convicted as a war criminal since the U.S. invasion of Afghanistan in 2001, and the first child soldier since Nuremburg to be found guilty of war crimes.. The filmmakers showed the film to a room full of judges in the Netherlands last week, and are now touring with the film around the world. And their highly-deserved IDFA Special Jury prize will no doubt give the film a good boost.

Worth mentioning too is the last film I saw, My Reincarnation, by Jennifer Fox. For the last twenty years, her camera has witnessed the difficult relationship of a Tibetan Llama, Rinpoche and his resistant son (born and raised in Italy), who is said to be a reincarnation of Rinpoche’s uncle. Jennifer’s trust in life and fate unfolding before her camera (over 2 decades!) is breathtaking, and the film, a full 2 hours in length, takes you for a huge emotional, spiritual ride.

And finally, while IDFA is all about the films, the filmmakers, the parties and the fun, what really blew me away was the audiences. IDFA 2010 boasts an incredible total of 180,000 visits to the festival, up 15,000 from last year. As a maker primarily for the internet these days, I appreciate the direct communication I have with people who see our work on-line every day. The immediacy of twitter and social media is profound. But  what IDFA gave me, was the chance to meet hundreds of audience members face-to-face, and nothing beats that.  During my live cinema screening of Out My Window, audiences called out, cheered, reacted, laughed and applauded – all in real time, and I could feel their breath. It was a high that only live cinema can give you. And in my many, many hours at the Brakke Grond, I witnessed hundreds of audience members interacting with the installation as well as the kiosk computer version of the web-site itself. It was the ultimate in user-testing. I saw how things really worked and what could be improved (for example, two-days into the installation we added vinyl lettered instructions on the floor  for the motion detector spotlight triggers). But over and over, audiences approached me to tell me how much they loved the HIGHRISE experience, and it was real proof that Out My Window touches the minds and hearts of people from all walks of life: from PhDs, to teenagers, to filmmakers, to new media students to the general public.

The words and energy of one audience member , Willie, will stick with me for a long time. I met her almost daily at various IDFA DocLab events (she got rid of her tv and internet 6 months ago, and now interacts with the world only through free live events in Amsterdam) and she gave me quite a bit of her time explaining what she appreciated about the our project – and life. She said the 360º approach of our project reminded her of spiders, who have  multiple eyes set all around the front of their heads (i did not know that!). She is a self-prononounced “survivalist” and loves wild, foraged foods, and she loves clicking on objects on the internet that reveal a whole world behind them. Fascinating mind, and heart. Thank you IDFA and DocLab, for so much, but mostly for giving me a chance to meet audience-members like Willie.

And see you, Ally Derks, director of IDFA, in Toronto for Hot Docs, for your much-deserved Doc-Mogul Award, for your huge contribution to the documentary community.

INSTALLATION OPENS

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Amsterdam – After a long week of physical building and digital patching, we’ve mounted and opened the Out My Window StorySpace Installation.  It’s part of a great exhibit at de Brakke Grond called Expanding Documentary, in conjunction with IDFA DocLab.  Our installation translates the stories of Out My Window into a physical space, using projection, an 8m wide hand-built lattice of screens and motion trigger interactivity.

The audience response to the work has been great: lots of dutch general public and  international documentary traffic coming through. Yesterday, met a Spanish couple from Barcelona, who travelled to Amsterdam for the weekend just for the doclab program, they’re working on their PhDs in interactive documentary. Also have met several dutch locals who have lived in Bijlmer, the highrise neighbourhood we feature in the exhibit. They given me new insight into the controversial and complicated history of the place. Nice round up of the opening night at the DocLab blog.

In other news: tonight at IDFA DocLab, I do a live cinema screening of the web version of Out My Window, and if you like OMW, please consider voting for us at the FWA (Favorite Website Awards), we are up for the shortlist, and they are one of the most important web nods out there. You can register and vote here  <registration only takes a second> http://thefwa.com/submissions/out-my-window

Necessary Shout-Outs for getting this installation off the ground and looking so gorgeous: Priam Givord <incredible interactive artist>, Markus <developer wizard from Derivative>, Branden Bratuhin <HIGHRISE technical director, without whom nothing HIGHRISE could happen>, Michelle Kasprzak <creative curator on the ground in Amsterdam>, Ana Serrano <producer extraordinaire>, Paramita <essential HIGHRISE teamster>, Gemma and Fleurie and the whole beautiful team at de Brakke Grond, and last but not least Caspar Sonnen, curator of DocLab who got us into all this trouble in the first place.

Vids of exhibit coming soon!

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TEST SHOOT WITH 360 CAMERA

A screen grab of our test shoot with dutch new tech company Yellowbird yesterday in suburban Amsterdam. We were testing their 360 camera. It’s like google streetview but video. Its a camera with 5 lenses. With special software, the 5 images are stitched together into a sphere. In the special video player, you can use your mouse click around 360 degrees within the image. check out their demo here)

We filmed with upcoming hiphop artist Zanillya, in the Bijlmermeer apartment she was raised in by her father, the lead singer of Boney M.

The shoot is for our project in production, Out My Window, a web-doc that will feature interesting highrise residents from around the world. Residents will show and tell us what they see out their windows and invite us into their homes. We’ll see views from the global highrise. The site will be built out of photography, audio, text and in a few select places, video. We are testing to see if we can integrate yellowbird’s 360 approach into the project.

Its the first documentary material ever recorded on a 360 camera, as far as we know.

Big shout-outs to Caspar Sonnen of IDFA DocLab for setting us up with YellowBird, Graeme and Brendan of  ERA Architects in Toronto and Gordon Zo Cultuur in Holland for getting us connected in the amazing Bijlmermeer.