Today at SXSW, HIGHRISE is proud to announce a new collaborative project with The New York Times. It’s an interactive documentary series, called A SHORT HISTORY OF THE HIGHRISE.
It all began last year, when HIGHRISE was approached by Jason Springarn-Koff, the commissioning editor of theNYT Op-Docs section, a remarkable new forum at the paper for short, opinionated point-of-view documentaries.
Jason’s idea was that we might do to something about highrises in the city of highrises – New York City. Meanwhile, we at HIGHRISE had always wanted to do a “short history of the highrise” around the world. So when Jason offered to open up the NYT undigitized photo archives (a collection of 5-6 million photographs) to us, Gerry, the HIGHRISE Senior Producer, and I were really intrigued by this incredible opportunity for deep collaboration.
I spent a week in the archives, affectionately known as “The Morgue.” It’s 3 floors underground below Times Square — no cell phone connection, no internet down there, time warp to circa 1995 — with the formidable archivist Jeff Roth. Jeff pulled thousands of photographs for me in file folders organized by, um, building names. Many of these stunning images, portraying the triumphalist rise of the city in the 20th century, have not been seen for decades.
I pulled over 500 photographs, and over the next several months, began assembling a series of (very) short films, spanning 2,000 years of human high-rise history. We are supplementing the collection with additional visual research by the crackerjack team of Elizabeth Klinck and Jivan Nagra.
Above, the “Morgue” and my library cart of file folders of photos.
And, we are thrilled to have the ace team at Helios Design Lab as our animators on this project.
There’s a whole other aspect to this: The New York Times social media department is putting out a call for submissions from the paper’s readers, who can submit their own photos depicting their lives and experiences in and around high-rises from around the world. From these images, we’ll create the final chapter of our whirlwind tour of the highrise history. Upload your photos here
Last but certainly not least, we are also working with the New York Times interactive team to build the whole thing as an interactive cinema experience. Extremely exciting.
Still image from recently found footage: An uncle’s self-documentation 20 years ago with a super 8 film camera in a Toronto highrise.
This remarkable footage is providing clues for Maria-Saroja Ponnambalam, HIGHRISE community media coordinator, in her documentary about the mysteries of her uncle’s immigration to Canada, and his struggle with mental health issues. I asked Maria to guest blog about how she found the footage, her uncle, and how it unexpectedly relates to HIGHRISE.
My father was convinced he had no films of his brother Pandi. While I was interviewing him on camera, he insisted on showing a box with a super-8 projector in it that belonged to Pandi. He had barely put his hand inside the box when he came across a smaller box, with a roll of developed film inside!
To our surprise the projector was working. We were taken aback by dizzying shot of his shoes from above. Pandi is standing on the balcony of his highrise apartment by Yonge and Eglinton. There’s a sudden a low-angle of his face with a beautiful view of the city in the background and the CN Tower. He appears intense and solitary, yet empowered —it was probably the first time he had ever shot with a film camera.
My father had never seen any films his brother had created, nor had never visited Pandi’s apartment. Pandi’s life in Toronto was a complete mystery to us as he started developing symptoms of bipolar disorder. “Wow, it’s as if he’s looking at us,” cried my father in awe. Pandi is letting us in. He continues to film around his small, empty apartment, revealing a framed photo of his parents, playing with focus on a figuring of a royal mounty police bear. He must have just moved in. Like many newcomers to Canada, a highrise building was his first home in Toronto. He had moved there with his friend in 1993 to start earning a living.
Pandi had been living in Chennai, India where he was having trouble finding a job in the film industry. He believed Toronto was the city that could help him pursue better opportunities in film, but ended up working in a car manufacturing firm and working long hours. The building he lived in was privately owned, and occupied by many Indians and Tamil refugees from Sri Lanka. At the time, Yonge and Eglinton was a common area for new immigrants, because of the low-rent apartments.
I could relate Pandi’s film to the National Film Board’s HIGHRISE, a multiyear, multiplatform initiative that explores vertical living in the global suburbs. The stories that I witnessed and participated in creating for HIGHRISE’s web-documentaries Thousandth Tower and Out My Window are private and colourful experiences inside residents’ apartments that depict the phenomenon of urban growth, not only from global but personal points of view. In Thousandth Tower, the residents we worked with in two highrises on Kipling Avenue, Toronto combined photographs, text and audio to describe their experiences of living in the buildings.
Although they all had different ideas of home, each revealed a strong connection to their cultural roots. In these particular highrises 97% of the people were born outside of Canada (Digital Citizenship Survey, HIGHRISE). Themes that arose from their photos were dichotomies of belonging and loneliness, comfort and insecurity, success and struggle.
Similarly, Pandi’s film gives me a glimpse of a transitory phase in his life, a time of a new kind of independence and personal growth. The objects he chose to highlight in his film may seem trivial, but to me, had some importance to him. The framed photograph of his parents appears again in another film that we recently discovered of his, and in a sense becomes a personal motif—a reminder of home.
I also think about all the moves from small towns to urban centres that Pandi had made in his life, and how they had affected him. I came across a publication from Colombia University “The urban environment and mental disorders: Epigenetic states nearly a century of research has shown higher risk of mental disorder among persons living in urban versus rural areas, and that there are links between particular features of the urban environment, such as concentrated disadvantage, residential segregation and social norms, which contribute to the risk of mental illness.”
My aunts spoke to me about how difficult it was for Pandi to adjust to their new way of life in Chennai, the overpopulated capital of Tamil Nadu. They were previously living in Poondi, a small rural town where there father was working as a senior hydrologist. In Chennai, their father was under a lot of stress in a new position and struggled to provide for his family financially. Pandi who was doing poorly in high school dropped out and began working odd jobs.
This sparked me to question the increasing urbanity of the world’s population and its implications on mental health. In the Kipling highrises, we met many families that were in transition all their lives. I couldn’t imagine what it would be like to be constantly moving, starting over, again and again. Every time I watch Pandi’s film, I witness the meditative and liberating power of holding a camera. For Pandi, using the camera to experiment and explore seemed like a pleasant way to exercise his creative abilities and break from the daily pressures of the city.
— Maria-Saroja Ponnambalam,
director of IMPRINTS (working title)
and Community Media Co-ordinator, HIGHRISE
July 27, 2011
VIRTUAL AND PHYSICAL TRANSFORMATIONS
It’s the HIGHRISE summer of transformation - in virtual as well as in physical space. This month, as the HIGHRISE team toils away on computers building our new HTML5 documentary set in a virtual landscape, on the physical HIGHRISE site, there’s also some “real” building going on: new outdoor play-spaces for families and children.
Our HTML5 documentary, One Millionth Tower (formerly known as the 2000th Tower), re-imagines a dilapidated HIGHRISE neighbourhood in a Toronto suburb. But the story and space could be almost anywhere, as global modernist highrise buildings, the most commonly built form of the last century, are aging and falling into disrepair, all over the planet. it’s a hyper-local story with global relevance. (maybe its hyper-glocal?)
In our story, HIGHRISE residents join forces with architects to envision a more human-friendly environment around their vertical homes. Then the magic of animation and cutting edge open-source technology, brings their drawings to life in a virtual 3D space on the web.
Meanwhile, on the ground, at the site of the real HIGHRISE, on which our 3d virtual space is modeled, lots is in the works physically too. It’s all fueled by the momentum of our two current projects there (One Millionth Tower and the recent Digital Citizenship Survey) but mostly by the force of incredibly committed residents,E.R.A. architects, the United Way, the City of Toronto (both Tower Renewal and Children’s Services) as well as the property manager.
Last weekend, all parties got together to construct 6 picnic tables for the site. it’s a small, low-cost but important first step towards transforming the outdoor space around the buildings.
Architects from ERA join forces with residents to build picnic tables.
Recently moved in resident Salam Younan, 47, was coming home from a night shift at a local furniture factory, when he saw all the picnic table commotion. He pitched in and stayed most of the day to contribute his carpentry skills. Trained as plumber back home in Iraq, Salam has been living in the building only 2 months, but said “I will do anything to help all the people who live here.” A growing community of Iraqi Christians is moving into the buildings, many are U.N. sponsored refugees.
Faith, long-time resident and One Millionth Tower collaborator, face-paints during picnic table event.
The mood was jubilant for another reason. The residents have just been granted a brand new playground from the American non-profit, KaBoom. The new playground will be built in a day (August 18th) by hundreds of volunteers from across the city, as well as a team of residents.
KaBoom’s mission, according to their website, is to address “The Play Deficit. Our children are playing less than any previous generation, and this lack of play is causing them profound physical, intellectual, social, and emotional harm. The Play Deficit is an important problem, and it is imperative that we solve it to ensure our children have long, healthy, and happy lives.”
“It’s a gift that’s fallen from the sky,”said Eleanor, a long time resident and social animator at the United Way’s ANC community engagement office, located in the building.
But the residents have been working hard towards this moment. In the last months, they’ve been mobilizing around the need for a playground. The old playground equipment, nearly 40 years old, was rusting and dangerous.
One of two old playground sites at the highrise.
Two months ago, in an historic meeting between residents and the property manager, everyone agreed to take down the old equipment, and to move towards realizing some of the ideas presented in One Millionth Tower, starting with play-space.
Around that time, we were also conducting the HIGHRISE Digital Citizenship Survey, which revealed astounding statistics about the demographics of the 2 buildings. We discovered that over 50% of the people at the two highrises are under the age of 20. And that 25% are under 10 years of age.
The numbers were telling us what all the residents already knew: hundreds and hundreds of kids with nowhere to play.
Kids shelter from the heatwave, under a makeshift clubhouse, above the highrise parking lot.
If all goes well, virtual and physical interventions, all powered by imagination, will change the space in the coming months and years, and perhaps inspire other cities to do the same with their highrises, the most commonly built architectural form in the last century.
One Millionth Tower, an HTML5 documentary set in a virtual landscape, will be launched in the Fall.
illustration from One Millionth Tower, by Lillian Chan, Howie Shia and Kelly
picnic table build photo, courtesy United Way
Salam builds a table, by Kat Cizek
Faith facepaints, by Kat Cizek
Old Playground, by Jamie Hogge
Makeshift Clubhouse, by Kat Cizek
May 04, 2011
UPDATE FROM CHICAGO’S HIGHRISE DEMOLITION
As the last of Chicago’s Cabrini-Green highrises comes down this month, we catch up with David Schalliol, the photographer and interviewer who brought us the moving story from Chicago for HIGHRISE/Out My Window.
“The Chicago portion of HIGHRISE/Out My Window tells the story of Donna and Brittany, a mother and daughter who are wrestling with an uncertain future in Cabrini Green, the city’s last highrise family public housing development. When interviewed at the end of 2009, their only certainty was their building was to be demolished sometime soon. They were going to have to find another place to live after a lifetime in the community. They were issued emergency eviction notices in May 2010 and moved to a housing development on the South Side less than a month later. Their old building, the second-to-last remaining high-rise, was already undergoing demolition preparation work.
Now the demolition of the last Cabrini-Green high-rise is currently under way. More media attention than usual has been trained on the neighborhood, and for the first time in decades, the stories are less about crime and more about community. There is some recognition that what is happening in this near North Side neighborhood is significant, at least for community members.
When former residents turned out to say farewell to the last building on the eve of the demolition, video cameras were rolling, and TheBrigade Stamps performance was cut in with footage of people saying goodbye to their former neighborhood. The last high-rise would soon be gone.
One surprising story has been about Project Cabrini Green, an art installation that arose out of a collaboration with Chicago artists, arts organizations and Cabrini-Green youth. The project installed 134 blinking lights in the building that represent poems written by area children. Every night, the lights blink in conversation as the building is slowly erased by the demolition team.
Despite the increased media attention, at least one significant element of the demolition has been underappreciated. Many of the Chicago Housing Authority’s developments have been located in high-visibility locations. They’ve loomed over highways, hugged sports arenas, and in the case of Cabrini Green, been a short walk from the Magnificent Mile and the Gold Coast, the city’s most fashionable shopping and residential districts.
With each daily commute, trip to the store or opportunity to cheer on the city’s athletic heros, the highrises of the Chicago Housing Authority were a physical reminder of the stark inequalities in one of the United States’ most segregated cities.
CHA residents are much less visible now. For the few who will live in new mixed-income developments, which place CHA residents side-by-side with those paying market-rates or receiving more limited subsidies, integrated poverty will become a new fact of life. But for now, many Cabrini-Green residents are moving into communities that are located farther from the city’s centers of power and into communities with residents who share many of the residents’ demographic characteristics.
When the last Cabrini highrise is demolished, there is a real possibility that they will be out of sight and out of mind, forgotten by those who will likely never live in subsidized housing. Community groups and politicians will continue to wrestle with issues of public housing, but many Chicagoans won’t be reminded by the high-rises any longer.
Far from the Magnificent Mile, Donna’s family is now settled in their new home. Like so many of the remaining CHA buildings, it is a lowrise.”
March 30, 2011
RODNEY KING TAPES, HIGHRISES and REVOLUTIONS
A still from the Rodney King Tapes, from the documentary *Seeing is Believing*.
This month marks the 20th anniversary of one of the first modern acts of citizen journalism — and it all started out a highrise window.
In March 1991, George Holliday heard police sirens and commotion out his 2nd floor bedroom window. He picked up his new consumer video camera and from his balcony, filmed the confrontation unfolding ninety feet below on a LA highway. He recorded almost 10 minutes of tape: four white LAPD police officers brutally beating Rodney King, a black man, but it was one minute of the footage that would be broadcast on TV around the world, and would spark the “Handicam Revolution.”
The images, “the Rodney King Tapes,” became shocking evidence of police brutality in the public gaze of television, and they were used in the first court trial by the prosecution – as well as the defense. The images were slowed down, frame by frame, and used by the police lawyers to explain how the police officers had “followed police protocol.”
When the four officers were acquitted in 1992, South Central Los Angeles erupted in what came to be known as the “LA Riots” resulting in 54 deaths, over 2382 injuries, 7000 fires, over 12 000 arrests, and over 1 billion dollars of property damage.
It was only in a second trial and a Federal Grand Jury that found the officers guilty in 1993.
But it was only this month that I made the connection between *the HIGHRISE window* and the genesis of citizen journalism as we know it today. It is not inconsequential that new consumer-grade communications technology, which was, in the early nineties, becoming ubiquitous and affordable, would be used in one of the originating acts of citizen journalism on a balcony of the most commonly built form of the 21st century: the highrise building. And the HIGHRISE, of course, is now the frame of my multi-year, many media exploration of the human experience in vertical suburbs around the world.
Today, we continue to witness the inextricable relationship between communications technology with people’s movements around the globe; in these last months in North Africa and the Arab world.
I am reminded of the words of Dr. Alex Magno, a sociologist we interviewed in Manila for Seeing is Believing back in 1991: “In the last two decades or so, most of the political upheavals had some distinct link to communications technology. Iran, the Iranian Revolution, was closely linked to the audio cassette. The first EDSA uprising in the Philippines was very closely linked to the photocopying machine and so we called it the ‘Xerox Revolution’. Tiananmen, the uprising that failed, was called the ‘Fax Revolution’, because the rest of the world was better informed than the rest of the neighbourhood because of the fax machine. The  January uprising here in the Philippines represents a convergence between electronic mail and text messaging. And that gave that uprising its specific characteristics.”
I’m also realizing we need to understand how, just like the technology, the HIGHRISE built form (which I consider a metaphor for urban density) plays into these events. Doug Saunders, the author of Arrival City, has recently made a similar compelling argumentabout the role of urban slum density in the Egyptian uprisings.
Inside these grey architectural structures that contain and shape our human, urban experience, lies the power of ingenuity, social innovation and communal force to harness and usurp our available technologies (and points-of-view) to transform them into historic, profoundly contemporary political acts.
POVERTY IS VERTICAL – and the elevators are terrible
Toronto’s poverty is increasingly vertical according to a landmark United Way study, published last week.
(In the context of the report’s release, I am interviewed about HIGHRISE in this week’s issue of Eye Weekly.)
The United Way report says “Poverty by Postal Code 2: Vertical Poverty presents new data on the growing concentration of poverty in the City of Toronto and the role that high-rise housing is playing in this trend. The report tracks the continued growth in the spatial concentration of poverty in Toronto neighbourhoods, and in high-rise buildings within neighbourhoods. It then examines the quality of life that high-rise buildings are providing to tenants today. Its primary focus is on privately owned building stock in Toronto’s inner suburbs.” The report is downloadable here.
The first part of the study looks at the last 25 years of census data to track the concentration of poverty in the inner suburbs, and in particular, highrise buildings. The study shows that while incomes have declined, rents have increased since 1981. ”
“As a result of this “squeeze” on incomes and rents, close to half of the tenants surveyed say they worry about paying the rent each month. Another third say their families do without necessities, including food. Highrises also became more densely populated during this time with the percentage of units housing more than one person per room doubling.”
According to a front page story in The Toronto Star, “The report, believed to be the first of its kind in Canada… calls on the public, private and charitable sectors to properly maintain highrise housing and provide community space and programs for tenants. With demand for rental housing in Toronto predicted to grow by another 20 per cent by 2031, action is urgently needed, the report warns.”
The second part of the study gives a snapshot of current housing conditions in the 1,000+ highrises in Toronto. United Way surveyed 2,803 highrise tenants in the city’s inner suburbs, and conducted a series of focus groups.
The results do not surprise anyone who has spent any time recently in a Toronto suburban highrise. One key finding of special note to us at HIGHRISE relates to elevators.
“[T]heir elevators are so unreliable that a United Way report … calls for a task force specifically targeting their repair. Thousands of interviews with residents indicate these buildings have grown notorious for vermin and vandalism,” notes The Globe and Mail.
Elevators were the focus of one of Jamal’s stories in our own HIGHRISE documentary last year, called THE THOUSANDTH TOWER. This is what Jamal had to say about his highrise experience with elevators:
JAMAL: “Growing up in Rexdale has been a challenge. I saw a lot at the age of 7, my first year living here. From what I can remember, the building has always been decrepit. The elevator would skip floors, jumping and jolting, moving up and down. I used to wonder if we would survive if the elevator dropped from the 13th floor to B2. I was so terrified when my family went in there. I had disturbing thoughts that they wouldn’t come out. To this day, I’m scared of the elevator.”
The United Way Report makes 26 recommendations, including:
* The City of Toronto continue to take a dedicated program approach to revitalizing the social and physical conditions of aging high-rise apartment buildings across the city, and sustaining this important housing resource for the city’s lower income and newcomer populations.
* The provincial government make its Community Opportunities Fund accessible to private-sector tenant groups for the purpose of engaging tenants and building their capacity to be active participants in the revitalization of their tower communities.
* The federal government to establish a National Housing Strategy which sets out standards for adequate, accessible and affordable housing.
December 22, 2010
NEWS: TORONTO MIDDLE-CLASS NEIGHBOURHOODS SHRINKING
Using census data from 1970-2000, Hulchanski concluded that, despite its claim to being one of the most diverse cities in the world, Toronto was no longer a city of one, but had become a city of 3 neighbourhoods, divided by income, race and other factors. He showed that City 1 is 84% white, average household income $173,000/year. City 2 is 65% white, average household income $72,000/year. City 3 is 34% white, average household income $59,000/year.
Hulchanski proved that the city’s poverty had drifted to the peripheries of the city.
Now, just last week, he has released a new important updatethat concludes “If current trends continue, the City of Toronto will eventually be sharply divided into a city of wealthy neighbourhoods and poor neighbourhoods with very few middle- income neighbourhoods.”
Effectively, by 2025 , City 2 will shrink down to make up only 10% of the city, City 3 will take over 60%, leaving 30% to City 1, according to the new report.
A city of three distinct types of neighbourhoods, will become a city of two. The rich and the poor.
A front page storyabout the report in Canada’s leading newpaper, The Globe and Mail, says “Toronto, a predominantly middle-class metropolis just three decades ago, is increasingly dominated by two opposite populations – one with an average income of $88,400, and another of $26,900. These two groups live in different neighbourhoods, work in different sectors, send their children to different schools and have divergent and unequal access to city services and public transit.”
But Hulchanski also argues that these changes are not inevitable.
According to the report, “The segregation of the city by income is not inevitable or irreversible. These trends could be slowed or reversed by public policies that would make housing more affordable to low-income households, by efforts to expand access to transit and services in neighbourhoods where the need is greatest, and by renewing the aging high-rise neighbourhoods scattered throughout City #3.”
Via email, Hulchanski told me “It is in the 40% of the city where neighbourhoods have been steadily declining in average individual income and socio-economic status that half of all rental housing is in the now 40 and 50 year old towers. The research by our team adds a huge amount of evidence supporting the conclusion that a major tower renewal initiative is the most important way to not only improve the lives of so many lower income renters but to improve the quality of their neighbourhoods. The Three Cities Within Toronto report draws attention to the steady decline in 40% of the city’s neighbourhoods. There are many large and small actions that will reverse the negative trends leading to an increasingly divided city but tower renewal is the most important.“
I also asked him about how his research fits into global predictions of a shrinking middle class. He said “Though many people still call themselves “middle class,” all evidence about growing inequality, the ever widening income and wealth gap between rich and poor, a process that began in the 1980s, points out that the “middle” has virtually disappeared. The middle income group can be defined, as it is in our report. We show how this group was indeed a majority in the 1970s (66% of the City’s neighbourhoods) but is now a minority (29%) and only a small and declining plurality in the outer suburbs (from 86% to 61%). This is a trend that is most pronounced in Anglo-American countries, where the income gap is much larger than in most of the Western European countries. There is a great deal of populist resentment because the majority believes they are “middle class” yet they cannot live a middle class life style. They cannot afford the expected or assumed middle class package of goods and services because they are, on average, much lower income in real terms than ten and twenty years ago. In addition, many of the goods and services provided by or subsidized by the state have been cut back or eliminated.”
It’s a stark picture for Canada’s largest city and it’s remarkable research, the kind that should be done in urban areas around the world, to address our (mis)understandings of the places we live.
January 23, 2010
HIGHRISE meets FORMER U.N. SPECIAL RAPPORTEUR ON HOUSING
Miloon Kothari is an architect who builds more than buildings, he builds human rights cases.
He spent eight years on fact-finding missions to 13 countries as the UN’s first Special Rapporteur on Housing.
Today, HIGHRISE met him at a downtown Toronto coffeehouse, after his whirlwind lecture series at University of Toronto earlier this week.
He had just gotten off the phone with his office in New Delhi, where he is currently helping to build a case for a group of homeless people. Late last month, the group was was evicted from a tent settlement at a traffic roundabout. The temporary shelter had actually been built by one arm of the municipal government, but then torn down by another. After an article appeared on the front page of The Times of India, a New Delhi High Court judge took interest, and is now asking a lot of questions. If things go well, Miloon hopes, the case may become a case for all 140,000 homeless of the city.
He is also currently researching and tracking social control in the global city.
“In the last 4 to 5 years I’ve seen a proliferation of anti-vagrancy policies all over the world.” He cites Rome as an example, where it’s become illegal to eat in public. In London, he says, the “wetting-down” policy has municipal workers spraying park benches with water in the evenings to make them too wet to sleep on for the night.
And while homelessness is a global problem, Miloon is concerned that there is no global network dedicated to ending homelessness. He says its not enough to build shelters and get people into housing, we need to understand how people become homeless in the first place.
It’s all part of a global trend of increased segregation in our cities wordwide. “It’s segregation not just on the basis of race, its based on income.”
Perhaps the most stunning fact that Miloon has found, is that today, more people in the world are displaced by development than by armed or ethnic conflict. Evictions, land-grabbing, displacement are radically reshaping the global urban landscape.
Miloon warns that as our planet quickly urbanizes, the segregation itself will lead to more conflict.
Miloon’s work at the UN, at home in Delhi, and in consultation with communities all over the planet is ground-breaking. He connects the local dots to a global big picture that our world so sorely lacks, and so desperately needs.
We’re pretty excited to continue discussions with Miloon and to find ways to collaborate with him on HIGHRISE.
Highrise/One Millionth Tower is up for an award tonight at the newly minted Canadian Screen Awards (formerly the Geminis and Genies). The other nominees are the NFB’s Bear 71 and Bar Code, High Fidelity’s Masa Off Grid, and the CBC’s Exile Without End: Palestinians in Lebanon. Congrats to all! A [...]
We at HIGHRISE just screened our documentary One Millionth Tower outdoors, at a festival celebrating another highrise neighbourhood. In One Millionth Tower, highrise residents re-imagine their neighbourhood by working with architects to illustrate what’s possible in the bleak space around their buildings.
Four residents from this HIGHRISE project crossed from west-side [...]
It’s the Next-Gen participatory media project at HIGHRISE: girls learning computer code. They’re building websites and telling their own stories. It’s future web-developers in the making, on site at the Kipling Highrise in suburban Toronto.
“It’s so easy to learn code!” exclaims Janever, 10, as she learns how to change the [...]
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HIGHRISE at Summer School, CIZEK gives 3 classes at the Centre for Investigative Journalism's Summer School at City University, London U.K. on July 12 2013
FLAHIVE and CIZEK at MIT, HIGHRISE Senior Producer Gerry Flahive and Director Katerina Cizek visit Open Doc Lab at MIT, with workshops and exchanges across multiple disciplines and laboratories. on October 22 2012
LIVE RADIO BROADCAST from "HIGHRISE", Canad's most listened-to radio program, CBC: Metro Morning, broadcasts live from the site of the NFB HIGHRISE project. 5:30 - 8:30 am on February 15 2012
HIGHRISE at INT'L CONFERENCE ON CITZENSHIP, U of T Prof. Deb Cowen, Research Consultant Emily Paradis, PhD, present early findings from our Digital Citizenship in the Global Suburbs at prestigious academic conference, "Opening the Boundaries of Citizenship" at Open University in the UK. on February 06 2012
HIGHRISE IN THE TORONTO SUBWAY!, HIGHRISE/ONE MILLIONTH TOWER is adapted to a public art installation on the screens and poster space of the TTC! Presented by TTC Pattison One Stop, curated by Sharon Switzer. 6 silent films, 4 posters. on January 01 2012
Re-Imagining Our City, screening of One Millionth Tower, and panel discussion with the people who made this documentary happen.
Gladstone Hotel, 1214 Queen St west, Toronto, ON on December 06 2011 18:00
ONE MILLIONth TOWER at IDFA, Last year's winners of the IDFA DocLab Award for Digital Storytelling (that would be HIGHRISE) are back in competition for the this year's prize at IDFA, with a new production, One Millionth Tower. 15 entries, 4 of which are NFB. on November 16 2011
SPECIAL FRONTLINE CLUB SCREENING of 1MT, Mozilla and Power to the Pixel present "The Evolution of Cinema, Documentary and the Web," introducing One Millionth Tower. Kat Cizek with open-source cinema guru Brett Gaylor, of Mozilla, moderated by Liz Rosenthal, of Power to the Pixel. Very Limited Seating. on November 07 2011
LAUNCH of 1MT, Noew HIGHRISE documentary, One Millionth Tower, launches at Mozilla Festival, in London U.K. (and on-line too!) on November 05 2011
FLAHIVE at PLANET in FOCUS FESTIVAL, Flahive represents HIGHRISE at
DIGITAL DO-GOODERS PANEL
@ The Al Green Theatre, Miles Nadel Jewish Community Centre
Visual storytellers are creating content that motivates activism as well as entertain. on October 14 2011 11:15
CIZEK at the BRITISH LIBRARY, Kat Cizek gives a summer scholar talk at the British Library, with a tour of Out My Window, and a discussion about the digital documentary. on September 16 2011 12:00
CIZEK keynote @ Open University, UK, Keynote lecture at the International Visual Methods Conference at Open University in Milton Keynes, U.K. on September 13 2011
HIGHRISE at OPEN VIDEO CONFERENCE, NYC, One Millionth Tower, our latest HIGHRISE production, to be discussed at a multi-day summit of thought leaders in business, academia, art, and activism to shape the future of online video. on September 10 2011
HIGHRISE in MEXICO, Michelle Van Beusekom (Assistant Director General of English Program, NFB) represents HIGHRISE at the World Forum of Public Broadcasting in Mexico. on June 09 2011
OUT MY WINDOW live cinema screening, in Montreal, as part of the DNA Symposium. Live music score improvised by Sam Shalabi, Michel F Coté, and Alexandre St-Onge. on May 14 2011 19:30
CIZEK at DNA conference, Keynote at international symposium on database narrative.
Concordia University on May 12 2011
HIGHRISE at Toronto the Good Party, This party brings together a broad cross-section of Torontonians who are interested in the City and in city building. Follows the Toronto Tower Renewal Symposium, at Hart House. on May 12 2011
HIGHRISE UP FOR A ONE WORLD MEDIA AWARD, U.K.-based One World Media Awards recognize the unique role journalists and filmmakers in bridging the divide between different societies and raising awareness of vital development issues. on May 10 2011